C*Pix SDC2000 Instrucciones de operaciones Pagina 182
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4.4 Film Menu SDC 2002
4-96
Operating Instructions - Rev. 1 / 6.2003
9. Film Type
This window serves to define the film type used.
Selection: Print Pos / Neg
Intermediate Pos / Neg
Primetime Pos / Neg
Color Pos / Neg
”Print Positive” used with print films, POS: negative inversion OFF
”Print Negative” used with print films, NEG: negative inversion ON
”Intermediate Pos” used with intermediate films, POS: neg. inversion OFF
”Intermediate Neg” used with intermediate films, NEG: neg. inversion ON
”Primetime Pos” used with primetime films, POS: neg. inversion OFF
”Primetime Neg” used with primetime films, NEG: negative inversion ON
”Color Positive” used with color films, POS: negative inversion OFF
”Color Negative” used with color films, NEG: negative inversion ON
Note!
Film types with orange mask are optically compensated.
Intermediate, Primetime and Color (POS or NEG) film types have different
“orange mask compensations”.
Print
Pos or Neg
The “Print POS” selection creates an illumination spectral balance that, in con-
junction with electronic masking or matrixing, will allow color reproduction of
color print films approximating that achieved with optical projection.
The “Print NEG” selection creates an illumination spectral balance that allows
scans of unmasked or b/w negative films.
Intermediate
Pos or Neg
The “Intermediate POS or NEG” selection creates an illumination color spectral
balance with sensitivity peaks that closely match the film dye density peaks of
Eastman EXR Color Intermediate Film 5244. This mode of illumination also
compensates for the red, green and blue minimum densities (D-min) caused by
colored masking colored coupler found in the Eastman EXR Color Intermediate
Film 5244 stock.
Primetime
Pos or Neg
The “Primetime NEG” selection creates an illumination color spectral balance
that is optimized for the characteristics of low-contrast Eastman Primetime
negative film.
The “Primetime POS” selection creates an illumination color spectral balance
to scan positive films with an orange mask close to prime time NEG films.
Color
Pos or Neg
The “Primetime POS” selection creates an illumination color spectral balance
to scan positive films with an orange mask close to prime time NEG films.
- DataCine Filmscanner SDC 2002 1
- Copyrights 2
- Published by 2
- Trademarks 2
- CONTENTS 3
- 4. Menu control GCP 4
- 5. Operation 4
- 6. Maintenance 5
- 7. Trouble Shooting 5
- 8. Index 5
- Contents 6
- 1. ABOUT THE MANUAL 7
- 1. General 8
- SDC 2002 Thomson 9
- 3. OPERATIONAL PREPARATIONS 17
- Film Scanner SDC 2002 18
- Graphical Control Panel 18
- Fig. 302: Home Menu 19
- TV standard 21
- Precautions! 24
- Fig. 311: 27
- Filter door 32
- Fig. 319: 32
- Fig. 323: Menu TK Config 36
- Fig. 324: Film menu 36
- Fig. 325: 37
- Fig. 326: 37
- 3.5. PERFORM FPN CORRECTION 38
- 3.6. THREAD THE FILM 40
- Fig. 333: Film threading path 44
- 3.7. ADJUST FRAME LINE 45
- 3.8. ADJUST FOCUS 46
- 3.9. ADJUST SIZING FORMAT 47
- 1207 x 1079 48
- 959 x 549 48
- Fig. 339 Submenu Repro 49
- Fig. 340 Sizing menu 50
- Fig. 341: Submenu ”Blanking” 51
- Fig. 342: Film menu 53
- Fig. 346: Set new matrix name 56
- Fig. 347: Set coefficients 56
- Fig. 356: Color menu 64
- Fig. 357: Color menu 65
- Fig. 360: Audio Config menu 68
- The internal test tone 81
- Scale zero point is at 81
- The zero point of the 81
- Fig. 373: Audio Level menu 83
- Fig. 374: Submenu Extern D 84
- 3. Operational Preparations 86
- 4. MENU CONTROL GCP 87
- TK Config 88
- FSB 35 mm 89
- 4. Focus 91
- 5. Framing 91
- 00:00:01:23 92
- 5. Pull down menu 97
- 6. Time Code 98
- Fig. 405: Submenu “Remote” 99
- 4.2 Video 101
- 4.3 Audio 101
- 4.4 Scanning 101
- 4.5 Monitor 101
- 2. Enter 103
- 20 August 2002 104
- 4.3 TK CONFIG 105
- 8 1097 1211 105
- signal 112
- 7. Digital Coding 115
- 8. Output 115
- Wordlength 115
- Characteristic 117
- 1. Actual Output 118
- 2. Data Mode 119
- 3. GSN Status 119
- 4. Transfer 119
- Start / Stop 119
- 5. Image Size 120
- 6. Packing Mode 121
- GSN I.F 121
- 7. Output LUT 122
- Fig. 413: WFM 124
- Set Film Type 130
- Set Unity 130
- Description 134
- C-PD Characteristic 138
- Logarithmic cal. Monitor 145
- Cineon calibr. Monitor 145
- TVLEV Characteristic 146
- GRLEV Characteristic 146
- 1. TVLEV Characteristic 147
- 2. GRLEV Characteristic 147
- 3. TV-PD Characteristic 147
- 4. TV-G Characteristic 148
- 5. DXR Characteristic 148
- 6. DXR-G Characteristic 148
- SDC 2002 149
- 4.3. TK Config Menu 149
- Specter VDC 2000 149
- 8.Transfer Mode 150
- 9. CRT Gamma 151
- Resolution 151
- VGA Characteristic 152
- GSN Data Output 153
- Controls 153
- Menu TK Config 153
- 13.1 VGA User 154
- 13.2 Current 154
- 13.3 VGA 155
- 13.4.VGA 155
- VGA LUT Input 156
- 13.5 VGA LUT 158
- 14.VGA Panning 158
- 53 1621 94 6717 159
- 3. HiPPI Status 160
- 16.Connection 160
- HiPPI I.F 160
- TIME CODETIME CODE 163
- 1. Counter Mode 164
- 2.Counter 164
- Counter Setup 164
- 3. Frame 165
- Count Mode 165
- 4. LTC-Out 165
- ** = non drop frame mode 166
- Stop aborts the learn mode 169
- VARIOUS OUT 170
- TC GEN OUT 170
- Count & Offset 173
- Film length in feet 173
- & Frame offset 173
- Prefix: Ident of film roll 173
- 5665 + 21 174
- 5666 + 01 5666 + 00 175
- 5665 + 15 175
- (frames) 178
- 7. Perforation 181
- Red/Green/Blue 181
- Fixed sets of 186
- Coefficients 186
- 4.4 Film Menu SDC 2002 190
- Black Gamma 194
- Features 196
- Saturation 198
- Operational Control 201
- System Integration 201
- Technology 201
- Position 203
- & Width 203
- Luminance 203
- Qualifying 204
- Fig. 415: Submenu Color Set 205
- 1. CRT Gamma 206
- 2. Control Range 206
- Control Range 207
- 3. Test 207
- & Pattern 207
- Extended 210
- MASTER White 0 - 1000% 212
- RGB White 0 - 100% 212
- Fig. 418: 212
- Fig. 419: 212
- Fig. 448: 215
- Fig. 425: 215
- 4.6 SHARP MENU 219
- FILM APERTURE 222
- ADJUSTMENT 222
- Edge Processing 223
- SDTV: 224
- HDTV : 224
- 1080 60I 225
- 4. Reproduction 227
- 5. H & V Flip 227
- Nonlinear 228
- 7. Rotation 228
- Scan effects 228
- 1920 x 1080 229
- 959 x 539 229
- 5. TV Repro 231
- Fixed Repro 231
- Fixed Film Formats 233
- 4.7 Sizing Menu SDC 2002 236
- Table 439 237
- Table 440 237
- Table 443 239
- Table 444 239
- Table 445 240
- 4.7 Sizing Menu 241
- Table 447 242
- Table 448 242
- 4.8 AUDIO MENU 247
- 6. Headphone 250
- Attenuator 250
- 2 3 4 5 6 251
- 7 8 9 10 11 12 251
- A Config 252
- 2. Source 252
- 3. Pre-Adjust 253
- 4. Dolby 253
- 5. Low Pass 254
- 6. A/D Convert 254
- 7. Pre-emphasis 254
- 8. Channel mode 255
- 9. Audio Delay 256
- 10. Test Tone 256
- 11. D/A 257
- Conversion 257
- 12. Audio 257
- 4.8 Audio Menu SDC 2002 258
- 4.9 SPECIAL MENU 259
- 1. Film Type 260
- 2. Bypass 260
- 3. Film Stock 260
- 4. Processing 261
- Sensitivity 261
- 5. Blur Effect 261
- 6. High & Low 262
- 7. Split Screen 262
- 8. Grain 263
- Reduction 263
- & Gang 263
- 9. Test & Setup 264
- Fig. 453: Submenu “Extern D” 265
- 1. Scan Mode 266
- 2. SepMag 266
- Coupling 266
- Fig. 454: Submenu Steadiscan 268
- Hor. center 270
- vs. vertical rulers 270
- 6. H & V 271
- Correction 271
- 7. Correction 271
- 8. Reference 271
- 9. Hole Type 272
- Reference 272
- Fig. 455: Submenu Ref Store 275
- Fig. 456: Split screen 275
- 1. Grab Frame 276
- 2. Split Screen 276
- 3. Toggle 276
- 4.10 MENU MEMO 277
- 1. Current user 278
- 2. TK Mems 279
- 3. Redo / Undo 280
- 4. Action 280
- 2. Cue1 / 2 282
- 3. Loop mode 283
- 4.11 MONITORING MENU 284
- 1. Test Point 285
- Selection 285
- Pull down menu 287
- 5. Channel 288
- Fig. 460: Submenu “Setup” 289
- 1. Preset WFM 290
- 6. Clamp 292
- 7. Remote 292
- Control 1-4 292
- * WFM TEK 1740 - 1760 293
- ** WFM Philips PM 5664 293
- 8. Master WFM 295
- Fig. 461: Submenu “Setup” 296
- 3. Operating 298
- 4. Software 298
- 5. Life Time 299
- 6. Board Status 299
- Fig. 455: GCP EVL menu 301
- Event List Menu 302
- Rack Version 302
- Fig. 456: 302
- Fig. 457: 302
- Fig. 458: 303
- Fig. 459: 303
- Key Assignment 304
- Scene Change Detection 305
- Counter Mode 305
- Cue Position 305
- BACKUP EVENT LIST DATA 306
- Enter User Login Select 307
- Fig. 462: 307
- Fig. 463: Main menu EVL 307
- Fig. 466: 309
- Properties 310
- Transitions types 311
- Tweak TC 311
- Tweak Data 312
- Setup Menu 314
- Scream required! 314
- Fig. 474: 315
- Select GCP menu “Memo” 316
- Fig. 477: 317
- 4.12 GCP-EVL SDC 2002 318
- 5. OPERATION 319
- 5.2. AUTOMATIC SWITCHING-OFF 321
- Open the rear doors 321
- Close the rear doors 322
- Switch on the machine 322
- 6. MAINTENANCE 323
- 6.1. SAFETY INSTRUCTIONS 324
- Fig.601: Film drive mechanism 325
- Fig.604: Capstan roller 327
- Fig.605: Audio scanner 328
- SCANNER 329
- T 3196/20 330
- T 3196/22 331
- Fig.610: Condenser lens 2 333
- T3187/25a 334
- 6.4. CLEAN THE OPTICAL BLOCK 335
- Fig. 615: : Optical block 338
- Safety Instructions! 339
- 6.7. THE COMOPT SOUND LAMP 344
- 6.8. CLEAN THE AIR FILTERS 348
- Fig. 624: 349
- Fig. 625: 349
- Fig. 626: Spirit rear view 350
- Fig. 627: 351
- Fig. 628: 351
- Fig. 630: Gateblast unit 352
- • oilfree 354
- 6.9. CLEAN THE BLOWERS 355
- Rack 3 Rack 2 355
- Snap cap 359
- Fig. 637: 359
- Caution! 360
- 7. TROUBLE SHOOTING 361
- What to do, when 362
- 8. INDEX 363
- -Numbering, 4-87 365
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